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The allure of an ultra-zoom camera is the caliber of lens you can get for a fraction of the cost you would pay for the SLR equivalent. However, this range is not without its tradeoffs. The roughly two-stop difference across the focal range means that you will need about four times the light to match the exposure when zoomed-in all the way, or the camera will need to boost the ISO or slow the shutter speed to compensate. The decline in lens speed is quite common among ultra-zoom models, though it results in noisier images, with a much greater likelihood of motion blur in telephoto shots. At max zoom, you can feel the focusing mechanism struggle to lock in on a subject. I'd say upwards of 20 percent of the shots I took at full zoom were out of focus. There is a noticeable focusing lag, however, when zooming in on a subject during video capture. It takes a second or two to catch-up when panning or tilting the camera, and is often unsuccessful at retaining focus when moving in on a subject. Nevertheless, in our testing, the full AF shutter lag was really fast, 0.24 second, but that's with a static subject with a decent target. With a long 21x optical zoom lens that extends to 525mm, Nikon has wisely equipped the Coolpix L120 with a fairly robust, five-way vibration stabilization (VR) system to help ensure telephoto shots are free of hand-shake. The Nikon L120's VR design combines sensor-shift technology and electronic vibration reduction to maximize effectiveness. The system is active in both still and video capture, though the movie mode uses the electronic VR exclusively. Sensor-shift VR is quite effective and makes a marked improvement when shooting telephoto shots without a tripod, though accurate framing can still be difficult. The electronic VR system on the other hand doesn't work that well for videos at full telephoto. If you've used a digital camera in the past seven or so years, you're going to know how to handle most of these controls.http://accessiblevehicleservices.com/userfiles/3sge-engine-manual.xml As noted, there's an additional zoom toggle on the side of the lens barrel, or you can use the zoom control that surrounds the shutter button. Also included is a dedicated video record button to immediately engage video recording. Among these settings are an Easy Auto mode, conventional Auto Mode, Smart Portrait, Sport, and Panorama options, as well as a host of other options. Those looking for Manual, Shutter-priority or Aperture-priority exposure modes should look elsewhere. Let's examine the design and intent of some of the camera's core settings. Unlike the L120's more traditional Auto Mode, the Easy Auto setting reads the scene and selects the Scene mode most adept at capturing that particular shot. We found the setting is not as effective as the full Auto mode in use, producing more erroneous color and focus than the Auto setting. It's like Program AE mode on other cameras. After experimenting with the Easy Auto mode and designated Scene settings, I found myself leaving the camera in Auto and letting it do the heavy lifting for me, with pleasing results. Just switch into Smart Portrait mode and the camera will use face detection to locate the subject. It places a yellow box around the subject, which follows them as they move in the frame. As soon as the camera detects the subject smiling (based on movements in their mouth and facial muscles), it immediately snaps a picture. You don't even need to press the shutter button. The mode is surprisingly effective. Nikon includes a dedicated Sports mode on the Coolpix L120 that shoots 20 consecutive images in a burst, at a rate of 14.6 frames per second (the manual says 15.3 fps). This degree of speed is rare in point-and-shoot digicams; however, the L120's pace is a bit misleading. Nikon drops the image resolution down to 3 megapixels and pushes the ISO, which ultimately sacrifices a great deal of image quality to reach the stated speed.http://www.drupalitalia.org/node/72238 Many cameras on the market allow you to speed up capture rates at the expense of picture quality and file size. High-speed full resolution burst sequences at baseline ISO sensitivities are generally relegated to pricier cameras; shortcuts to achieve this result are just that. The L120's full resolution burst mode is rated at only 0.7 frames per second. It superimposes a portion of the previous shot over the live-view composition to help you manually align multiple frames in the panoramic sequence. The camera locks exposure, white balance, and focus settings for fluidity across the final, stitched photo. Stills from each sequence are grouped into a designated folder to make it easy to determine which images belong together for a particular panoramic view. These more complete alternatives automatically merge the sequenced photos, generating an instant panoramic file within the camera. Using the Coolpix L120, you will be required to independently merge the photos using the supplied Panorama Maker 5 software. Stabilization is only effective at wider angles, clearly insufficient for telephoto. In the second video above, note the bright streak coming from the sunlight. Recording 720p (1,280 x 720) HD video in MPEG-4 and AVC H.264 format at 30 frames per second (fps), the L120's video footage is enlivened by the camera's long, 21x zoom lens that remains fully functional during capture. Unfortunately, the autofocus struggles in telephoto shots, and when capturing video, that difficulty plays out in the video. However, moving objects throw the camera off, producing blocky, jagged movements with a lack of continuity. This is also the case when panning the camera during video recording. The manual warns the same phenomenon can also happen in Sport Continuous mode, as it too doesn't use the mechanical shutter that prevents smearing in other still modes. Recording AAC stereo audio, the sound quality from the L120's audio is quite good for a digicam.https://duluthtaxiservice.com/images/bosch-wfk2801-washing-machine-manual.pdf The audio is well-rounded, capturing a decent range in its low-end, unlike most compact cameras. Since the left and right microphones are positioned close together -- on the camera's top deck -- there is limited separation of the channels, though the collective sound is broad and full. One caveat here is the limited effectiveness of the camera's built-in wind filter, resulting in pronounced noise in direct gusts. An HDMI output is also fit into the ports on the left side of the Nikon L120 to easily view video footage on an HD television. The L120's Pet Portrait setting is similar to the camera's smart portrait mode; however, rather than snapping an image upon detecting a smile, it locates the animal in the frame, and automatically captures an image once it has achieved focus. The mode works well on cats and dogs and recognizes animals as well as it detects human faces. In Playback mode, you simply select the underexposed images and click to apply the D-Lighting correction. A copy of the original file is made on the card, with the adjustments rendered to the duplicate version. The correction will illuminate dark, muddy regions and increase the contrast to retain the punchy look and apparent tonal range of the original shot, only with a more favorable overall exposure. All of the settings tint the entire image and are fairly typical among most digital cameras. Since the camera doesn't shoot RAW files, for the best results, I'd suggest shooting photos in Standard color mode and toning them after-the-fact using a software application. However, for those looking for the immediacy of in-camera effects, here's an example of what to expect from the color settings. You can heed the camera's suggestion, or keep the original shot. There is also a dedicated Playback menu that's utilized when reviewing stills or movies. Menu options shift from gray to white text when the settings are available. The text itself is easy to read, with a distinguishable font and clean design.https://becro-plast.hr/wp-content/plugins/formcraft/file-upload/server/content/files/16270676f53421---boss-rhythm-dr-3-manual.pdf The AA-compatible power is convenient if you find yourself on an extended outdoor shoot that prohibits you from recharging. With AA alkalines, the Nikon L120 captures about 330 still images per set of alkalines. That's not bad, but you will get more shots (520 according to Nikon) from a set of quality Ni-MH batteries because the cost of alkalines will add up in a hurry. SD media is relatively cheap and easy to find, and is extremely compact. There's also about 102MB of internal memory available. The camera includes a range of continuous shooting settings that improve shot-to-shot times significantly. The camera isn't quite as fast as its purported speed; the L120 shoots roughly 14.6 frames per second when set in its 3-megapixel sports mode, according to our lab tests. Odd behavior. Shot-to-shot times are also not very fast, clocking 2.18 seconds between frames in single-shot mode. The image can jerk around quite a bit when you're framing stills, but we didn't have many motion-blurred images. But the big disappointment is how much camera shake is introduced into videos. The electronic image stabilization just doesn't work well at full telephoto. The optic performs well across its focal range, showing limited corner softness and even less geometric distortion throughout the zoom. Color balance is accurate when set to its auto setting, with a slight yellowish tint on indoor photos taken under tungsten illumination. White balance does shift some in consecutive shots when not locked from a burst or panoramic setting. The tendency for the camera to slightly overexpose shots impacts photos taken in bright daylight by blowing out highlights, while the exposure is set too high to capture the ambiance of the setting in low light scenes, and slows the shutter speed down too much for handheld shots. While this is not an unusual expectation of photographers, it is a bit counterintuitive for a camera that's designed around full automation for consumer use.airbornelabs.com/images/editor/files/boss-fv-50h-manual_1.pdf In telephoto shots, the camera yields accurate exposures, though the ISO is raised to 720, producing noise in the dark and solid tones within the frame. Flash exposures at wide-angle are treated differently by the camera; the Coolpix L120 utilizes much lower ISO sensitivities, and frequently underexposes the image. I found this to be a slight embellishment, as I could only lock focus on subjects about an inch from the barrel. Macro shots were also a bit soft, skewing some image details. Indicators of aggressive JPEG processing show in photos taken at ISO 200 and beyond; details are softened from noise reduction at ISO 400 up through ISO 1,600. Boosting the sensitivity to ISO 3,200 and 6,400 automatically drops the file size down to 3-megapixel resolution and limits quality prints to 4x6. If you plan to print images larger than 5x7, you should work to keep the ISO at 800 or lower. We think a snapshooter who doesn't enlarge or inspect his images much will be mostly happy, but the noticeable chromatic aberration and lens flare will turn off the discerning photographer. Because the extremely long zoom, our indoor telephoto test shots were taken at 19x. The sense of blur is increased heavily by the chromatic aberration that reduces contrast noticeably. At full 19x telephoto, performance isn't much better, with blurring in the corners that extends far in toward center. Telephoto also shows strong distortion, with very bright pixels on both sides of the target lines. Blurring is more pronounced in the corners of the frame, as is chromatic aberration (a common limitation among consumer digital cameras in macro mode). Minimum coverage area is 0.96 x 0.72 inches (25 x 18mm), which is quite good. The camera focuses so closely that the flash is completely useless at this range. Stick to external lighting for shots this close. Not bad, and a little better than Nikon's 97 specification. Bright reds are also pushed a bit.www.jimenez-casquet.com/wp-content/plugins/formcraft/file-upload/server/content/files/16270677a037ec---boss-rod-10-manual.pdf Hue is also off for colors like cyan (presumably to produce bluer skies) and some oranges. Darker skin tones are just about dead-on accurate, and lighter skin tones show only a small nudge toward magenta. Extinction of the pattern occurred at around 2,600 lines per picture height. The telephoto test came out pretty well at 9.8 feet, though ISO was increased dramatically to 720. Some slight chroma (color) noise is noticeable as low as ISO 100, and becomes a little stronger at the higher settings. Luminance noise and noise suppression are more problematic in terms of loss of detail, however. Despite the camera limiting resolution, results at the 3,200 and 6,400 settings are quite blurry overall. See Printed section below for more on how this affects printed images. Printing at 8x10 looked a lot better. There was softening in the reds and on some detail, but these went away when printed at 5x7. Prefocused shutter lag is quite speedy at 0.006 second, among the fastest on the market. Full resolution burst mode is quite sluggish, rated at only 0.7 frames per second. In Sport Continuous mode, the Coolpix L120 captured twenty 3-megapixel frames at 0.07-second intervals, and thus managed 14.6 frames per second, just shy of the 15.3 fps claimed in the manual. An 8GB or 16GB card offers ample storage at a reasonable cost. It's a decent all-purpose camera, with a nice selection of auto modes oriented around snapshots of friends, family, and pets. Headline controls include the intelligent placement of a zoom toggle on the lens barrel, dedicated movie record button, stereo microphone, and HDMI output. Drawbacks include autofocus difficulties in telephoto shots and limited effectiveness in low light, despite claims to the contrary by Nikon. Image quality is adequate, though not stellar, and video footage struggles to maintain focus and fluidity.https://www.edutechusa.com/wp-content/plugins/formcraft/file-upload/server/content/files/16270678d378ad---boss-roller-door-operators-manual.pdf The stereo soundtrack is crisp and more robust than most digital cameras; however, the built-in wind filter was not able to keep wind noise from overtaking outdoor audio. The Nikon L120 is a good people and pet recorder with effective face recognition and automatic shutter settings. Burgeoning photographers in search of peak image and video quality, however, will be better served by some slightly more expensive alternatives, but for the budget photographer, we think the Nikon L120 will do well enough. While we don't think it's a bad camera, it doesn't rise to the level of a Dave's Pick. NikonHead over here. Please post only photos taken. See more I am trying to find decent settings for. It seems to me that there could be a way of cheating this by using the scene presets in certain situations.even if that scene does not fit the scenario in title. For example, using the firework setting when in need of long shutter speeds in low light. Has anyone found this to be the case. Are there guides available (I have not found one) that shows the actual settings of these scene pre-sets in a way that could be used to cross reference what we are trying to achieve. I know I am simply fighting the limitations of the camera.which I am very happy with actually.I knew this limitation when I purchased. I know that the real answer is to move up to a more advanced feature camera. Might as well find a way to make the most of it. If anyone has had any luck with this or know of any guides that accomplish this.I would lvoe to hear about it. Thanks, LarryI noticed that when you are focusing on an object and you are pushing the shutter button half way down it actually shows you the shutter speed and the f stop on the bottome of the screen. I started playing with different settings and looking at the shutter speed and F stop with each setting while focusing on the same thing over and over, trying to see what the camera would change to.aidsaccess.com/ckupload/files/boss-fv-500l-user-manual.pdf I need to write this stuff down while Im testing, but it seems like you can somewhat manually adjust these things. Still lots of testing to do but I don't see why we can't make this happen.I will continue to experiment, and then maybe we can compare notes and post what we have learned.The camera will adjust those setting within the scene mode range according to light situation, your level of shaking, and may be (not sure) the level of contrast of the subject in focus. Using the fireworks setting in any situation which is not at very dim light will accomplish nothing but a totally overexposed picture. The camera is a small computer designed to worry about those settings while we, amateur photographers, try our best on composition. Get a good book on point-and-shoot cameras in order to understand a little better how they are designed to work, and worry about your composition more, until you've got the money to get an SLR.The only difference I am seeing is that in any setting, the f-stop changes with how the camera is zoomed as well. So try a scene then hold the shutter half way down and see what the stop is. Then zoom in just a little and see how it changes.Try it in macro for example. The farther away you are your DOF changes from really close up. Try it and see what is in focus and what changes in your focus when you zoom in and out. Macro is just an example. Try it in all settings and see what happens. Practically, DOF is a big facter in photography. So yes, it is practical. As for shutter speed, we have to work with the settings.I love my little L120 and will continue to use it.but I have already decided to move up to a D7000 in the next couple of weeks. There is just too much I want to do with my photography that I cannot accomplish with this little 120. (I am also the 'official photographer' for our city's Special Olympics.my daughter competes.and so I also want a camera where I can shoot in shutter priotity so I can have control of the action in my shots). But really.I thought the same thing.aperature and shutter speed.why did they not give me control. And more importantly, I have learned enough about aperature and shutter speed to understand that I cannot just trick it with a scene all of the time. I guess that is the thing I like the most about this camera. It has been a great learning tool. Because I could not just flip to an aperature or shutter speed as prescribed by a photographer in a book.I have had to think about my shot and what I want. And then I have to try to get it, all the while understanding my camera's deficiencies. At the end of the day, that will make my photography better I think. My wife said she thinks this camera was a waste of money now because I am constantly finding things I want it to do that it cannot. She totally misses the point. This camera meant everything to me being able to get back to photography and make sure my interest and passion warrants the greater cash outlay.I bought my L120 back in May of this year and started to use it heavily around July. Now it is mid November and, by extensively trying to get my camera to do things that it is just NOT capable of doing (which in no way reflects badly on the camera.as others have said, it's a great little camera, with a ton of functionality for the cost, it is just not a SLR), I have learned a ton both about my camera and photography in general for the very reasons mentioned by the poster above me. I will always remember my L120, though; by learning about it's capabilities as I became more familiar with it, I was able to take better and better photos by pushing the L120's capabilities, and stepped up my photography skills to a whole new level as well. I recently sold my first couple of photos, and they were taken with the L120. Great thread for a great little camera!To me there is always going to be the camera I'm very happy with, but there will always be one I drool over. Currently I'm eyeing the D7000 myself.was looking at the D5100, but I need to make the 'big jump' next.I've taken some wonderful photos with the Nikon L120.but I've somewhat outgrown it. It will still serve as a great camera for all around captures.Anyway i wish cameras could be like Lego so i can put EVF and manual control from My S2950 on L120 which its lacks. S2950 colors, quality, cheap body, not comfortable.I can't work out which setting I need to have the scene on, any tips?My L120 is great.but i realized that it's just like any other digi cam but with super zoom. It does lack manual controls. I guess DSLRs are really meant for us hehehe. Til my wallet agrees, I'll just enjoy my L120. Alexandra: There's some things that I use to catch moving objects. For example.if im going to capture a car, i use a panning technique. I basically follow the car and take a snapshot. With the technique above, the car will be focused, but the background will look blurry or look like it's moving. Here's an example from someone on flickr. By using this site, you agree to the use of cookies by Flickr and our partners as described in our cookie policy. If Sports Photography is important for you, we strongly recommend you to consider the Alternative cameras listed at the bottom of this page. Read our detailed Nikon L120 Review Environmental Sealings Most outdoor sports games are held in all-weather, so your camera has to be ready for difficult conditions such as rain and snow. Exposure to dust and water splashes are also very common in sports. 9 Focus Points In sports photography, you keep continuous autofocus (AFC) mode on for tracking the subject and more focus means better tracking. No Manual Exposure Mode Even though modern digital cameras features advanced algorithms to calculate the right exposure, they still may fail some difficult conditions. Lack of manual exposure mode in these conditions means lot of shadow and highlight clipping. No Manual Focus Mode Compact cameras are not great at focusing moving objects especially at low light and your camera may not even fire bacause of not locking the focus, so manual focus mode is very useful at these times. No Built-in Viewfinder In the lack of a a viewfinder, holding the camera away from the body while using live view is not very stable, especial with heavy camera bodies and lenses. Besides, LCD screens are very hard to read under bright sunlight. No External Flash Shoe When shooting indoor sports or outdoor sports at low light, an external flash may become very helpful. Slow Lens at Tele: f5.80 You will have hard time getting fast enough shutter speeds with a lens that is slow at tele. No RAW shooting capability RAW files contains much more color information compared to JPEGs, and gives you more room for post processing without significant quality loss. They provide wider dynamic range and option to recover shadow and highlight clipping to some degree. Lens extended, no more than 22mm is added to the unit’s depth. Once you use it you’ll wonder why nobody has come up with one before! A welcome feature is the prominent movie record button, just south of the power button. ISO 6400 was unusable. When judging these two examples bear in mind that they undergo a lesser size reduction to conform with Internet sizing. An excellent performance. Use with care. Metering: 256 segment matrix, centre-weighted average, spot. Sensor Size: 11mm CCD. Memory: SD, SDHC, SDXC cards plus 102MB internal memory. Viewfinders: 7.5cm LCD (921,000 pixels). File Formats: JPEG, MPEG4. ISO Sensitivity: Auto, 80 to 6400. Interface: USB 2.0, HDMI mini, AV, DC. Price: Get a price on the Nikon COOLPIX L120 at Amazon. We won't share it with anyone We won't share it with anyone We won't share it with anyone. The lens protrudes from the body and uses a combination of the barrel and elements to zoom, so that it does not extend much on zooming. Apart from a zoom lever near the shutter release button, Nikon has incorporated an additional zoom lever on the lens barrel, which is very innovative. When the built-in flash is raised, the flash head resides at a high point so that it does not cause vignetting with the protruding lens. The camera has a stereo microphone near the built-in flash, and a monaural speaker in the top panel near the power button. A sturdy, rubberized grip is provided along with a thumb rest on the back panel to enhance the grip. The camera features a metal tripod mount. In normal mode, the lens focuses from approximately 50cm to infinity at the wide-angle end, and from approximately 1.5m to infinity at the telephoto end. In Macro mode, it focuses from 1cm to infinity at the mid-zoom position. The camera uses contrast-detect AF method and the AF area can be switched between center and face detection. Metering options are 256-segment Matrix, Center-weighted, and Spot. Sensitivity of the camera ranges from ISO 80 to 6400. In auto mode, it is limited to ISO 80 to 800, while in Sports continuous mode, the limit is from ISO 400 to 3200. White Balance can be set to Auto, Preset Manual, Daylight, Incandescent, Fluorescent, Cloudy, and Flash. The camera provides color options of Standard, Vivid, Black-and-white, Sepia, and Cyanotype. The built-in flash has a range of approximately 0.5 to 0.6m at the wide-angle end, and approximately 1.5 to 3.0m at the telephoto end on auto ISO setting. Flash mode is TTL auto with monitor preflashes. The self timer fires the camera with a delay of 10sec. In the Easy auto mode, the camera automatically selects the optimum Scene mode. In the Smart portrait mode, the camera activates the smile detection function to capture a smiling face automatically. Still images are recorded in JPEG format, while movies are recorded in MOV format. Maximum still image size is 4320 x 3240 pixels, while movies can be recorded up to 1080i (HDMI) quality. The camera has dimensions of approximately 109.9 x 76.5 x 78.4mm (W x H x D) and weighs roughly 431g. It is powered by four AA alkaline batteries. The rubberized grip enhances the comfort in handling, and the deep groove provides a firm hold. The buttons are easily accessible and a one-touch movie recording button placed near the thumb rest makes video capture effortless. The LCD screen is bright and clear and the interface simple and easy to use. In the test for determining darkening of corners, the camera automatically selected the widest aperture as desired. It controlled darkening very well, limiting it to the extreme corners. Images were sharp edge-to-edge. At this aperture, flare was observed along with slight purple fringing. AF struggled to lock on to the subject, especially at the telephoto end. It performed poorly under low light conditions. Under good lighting, the L120 performed well with macro subjects at mid zoom range. The native print size of images were 10.8 x 14.4 inches at 300 ppi. ISO 3200 and 6400 were of low resolution (5.12 x 6.827 inches at 300 ppi), and extremely noisy. Hence these were not considered for noise evaluation. At 16.67 percent screen size, very slight noise was observed at ISO 1600. When observed at 25 percent screen size, ISO 800 appeared soft owing to noise reduction algorithm. At 33.33 percent screen size, slight noise was observed at ISO 400, but images were useable up to ISO 800. At 50 percent screen size, there was no observable change in noise characteristics. We would consider this good control of noise. With a decent performance for the price, the camera is highly recommended. Sujith Gopinath Send us low-resolution versions of 12 to 20 of your best images, and stand a chance to exhibit your work in our Kaleidoscope, Showcase or Mastercraftsman section.