Boss Loop Rc-50 Manual

Boss Loop Rc-50 Manual

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Boss Loop Rc-50 ManualNo part of this publication may be reproduced in any form without the written For infor- you should be aware of when mation on cable specifications, contact the manufac- using the RC-50.PLAY MODE Button 14. INPUT LEVEL Press this to switch the mode used by the RC-50. AUX Level Knob This adjusts the level of the input from the AUX jack. “About Play Modes” (p. 28) MIC Level Knob 11. Press the POWER switch on the RC-50’s rear panel to turn on the power. Adjust the knob until the PEAK indicator just flickers. The PEAK indicator lights 6 dB below the level at which the sound starts to distort. Each one of these sets is called a “patch.”. Press the STOP pedal. Phrase 3 stops playing. In this manner, the RC-50 allows you to play back phrases as you switch from one to the next. This mode is referred to as “Single mode.”. Record the phrases using the procedures described in “Recording” (p. 20), or have ready a patch selected in “Playback” (p. 22). Turn off the power on any effects processor, guitar amp (speakers), or other device connected to the RC-50. Playing Back Phrases with All Lengths and Each such set of settings is called a “patch.”. PHRASE pedal one time. The mode in which you can switch patches with the RC-50’s pedals While performing: is called “Patch Select mode.”. Examples of Original and Patch Tempos Single Mode fig.03-009. If you want to change the original tempo, first save When the RC-50 is connected to an external MIDI device with a the patch (p. 54) then change the tempo. The guide features numerous pre-programmed rhythm sounds with Use the following procedure to change the guide settings. Before creating any patches, be sure that you have carefully read “Chapter 2 Basic Setup of the RC-50” (p. 27) and checked the information required for creating patches beforehand.http://adamhu.com/javier/boss-hm-2-service-manual.xml

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When recording phrases, if you are going perform to a previously set You can assign whatever names you like, such as names suggesting patch tempo or play along to the guide using a metronome or other the sound created or the name of the song in which it is to be used. The beat can be changed only when all If you are going to be listening to the guide while recording, prepare phrases are blank.The RC-50 alternately switches to Single mode (indicator off) or Multi mode (indicator lit) each time the button is pressed.When all of the RC-50’s patches are blank, the available recording time in each mode is shown below. This is convenient when These procedures are for making other patch settings.In Multi mode, you can play back three phrases simultaneously or record the current phrase. When Loop Sync is On When Loop Sync is on, you can obtain simultaneous playback of three phrases, with the phrases played at the same tempo and with the same length. Example 1) Recording three blank phrases, one after another, to create an ensemble when played in real time fig.05-010. In Single mode, you can easily record and play back while sequentially switching the three. When you press a PHRASE pedal other than the one for the current phrase during overdubbing, the RC-50 switches to the next phrase Playing Back One Shot Phrases Continuously according to the Phrase Change Mode (p. 49) settings. Data cannot be transmitted to, nor received from another MIDI device unless the MIDI channels are set properly. Make the MIDI Transmit Channel settings in accordance with how the RC-50 is to be used. fig.08-030 This procedure sets the MIDI channel used for transmitting MIDI messages. With Control Change messages from external MIDI devices, you can. You can create a new folder to use as the backup folder. When the RC-50 performs Recover, the patch data will be If recovering: overwritten regardless of the setting of Preset Protect (p. 69).http://chiangmaibirding.com/userfiles/boss-guitar-pedals-manuals.xml Change the file names after If the RC-50’s “WAVE” folder contains a WAV file with the referring to p. 81. same name as the one being imported (i.e., phrase in the import- destination patch), a “file overwrite confirmation”. You can create a new folder to use as the backup folder. When the RC-50 performs Recover, the patch data will be If recovering: overwritten regardless of the setting of Preset Protect (p. 69). If the RC-50’s “WAVE” folder contains a WAV file with the same name as the one being imported (i.e., phrase in the import- Connect the computer and the RC-50 with a USB cable. Numbers lit Indicates current patch number. Flashing The phrase is fading in or out, or the RC-50 is waiting for the end of a loop with Stop Rapidly (Green) Mode (p. 53) set to LOOP END. The RC-50 also allows you to select any of the 99 different transmitted and received patch numbers. Recover only the data required to the RC-50. For the USA DECLARATION OF CONFORMITY Compliance Information Statement Model Name: RC-50 Type of Equipment: Loop Station Roland Corporation U.S. Responsible Party: 5100 S.Eastern Avenue, Los Angeles, CA 90040-2938. By avoiding on-line auction sites we can keep the costsThe 7 footswitches mean that most of the functions are hands-free, which is great for not interrupting that creative flow. The sound is ultra-clean, and with multiple input options, it's possible to capture sound from almost any source. Computer interfacing is possible by MIDI and a dedicated USB port. It is extremely well built (as you would expect from a former Boss flagship product) with large and clear displays. The main thing is, is that it is so easy to use and great fun as well, with several operating modes to suit any style of working. Budget loopers are great, but you will bump into limitations so, if you want to play with the big boys, this is the one to go for! An adapter is included.http://www.drupalitalia.org/node/71920 There are one or two minor scuffs to the side and bottom of the case which have been touched in with a paint pen. Please view the photographs to judge for yourself on the physical condition. Please see our TERMS and CONDITIONS for details of our standard warranty. A printed and bound copy of the manual is included with this item. Introducing the RC-50 — the most feature-laden Loop Station BOSS has ever built. It’s the best live looping tool ever built for that matter. Housed in a spacious seven-footswitch floor unit, the RC-50 lets you manipulate three stereo phrase tracks simultaneously. Each track supports multiple overdubs, so phrases can be stacked one by one on each track, resulting in a monstrous layer of looped phrases. With a single RC-50, a guitarist, bassist, keyboardist, or vocalist can create a perfectly synced wall of sound live onstage. There are three simultaneous stereo phrase channels on the RC-50, each with a dedicated footswitch.For scenarios such as these, the RC-50 can be locked to an external MIDI clock source, ensuring that its loop performances are absolutely locked to the rest of the show. Internally, the RC-50 offers Loop Quantize for easy loop recording, plus Loop Sync (which enables all phrases to start in sync), and Tempo Sync (which matches the tempo of multiple phrases during playback). Why record to a stale click track when you can jam with rockin’ grooves instead? Phrases can be retriggered in “free time” or on a time-aligned grid.The photographs are of the actual items offered for sale, and not library photos. Whilst every endeavour is made to ensure this information is accurate, we might slip up from time to time, in which case we apologise. If our error is serious enough for you to change your mind about a purchase your sole remedy is as stated in our terms and conditions. All rights reserved. Reading Mailing List Info Mailing List Archive File Library Any RC-50 users out there want to help out.http://futurepointtech.com/images/boss-lm-2b-manual.pdf If you are interested, want to provide a review, user tips, or have any information on using the RC-50 for looping, please contact us. If you are buying it anyway, why not let some of your cash go to your favorite web site? Thanks. So, imagine you are all set to jam to a blues funk backing track and you tap the pedal to start the jam track. Once you tap the foot pedal, both the jam track and the metronome start playing at the same time. Obviously, this won’t do for any type of public performance, and is annoying even at home. Relax, you didn’t get a defective product.! We figured out how to fix the Boss RC-50 guide problem. With the Boss RC-50 Loop Station, you can jam to a variety of jam tracks that come with the looper pedal on a separate CD, although there are a few tracks preloaded. Patches 1-6 store the factory default jam tracks. For some reason, the GUIDE problem only happens with patches 7-99, and not with the factory default jam tracks in patches 1-6. While having to go through this fix may seem like a design flaw, Boss may have thought that guitarists would mostly be recording their own loops in patches 7-99, and would want the guide to turn on automatically to get the timing perfect. It’s really up to you how you set it up, but I prefer having the Guide off unless and until I turn it on myself. Just purchased a Ditto x2 looper. Occasional. Jacquie Drew said 2 issues: 1) Why doesn’t this looper allow immedia.Peter said LOL. Okay, thanks! Did you find this review helpfu AJ said Nice review, but please learn the difference betwe. This may happen as a result of the following: Javascript is disabled or blocked by an extension (ad blockers for example) Your browser does not support cookies Please make sure that Javascript and cookies are enabled on your browser and that you are not blocking them from loading. It has seven pedals and the ability to record three separate stereo loops. Years of Production: ca.https://michaels-limo.com/wp-content/plugins/formcraft/file-upload/server/content/files/1627311203cc7f---briggs-and-stratton-and-manual.pdf 2008 - present Please check the fields highlighted in red.Currency. Amazon calculates a product’s star ratings based on a machine learned model instead of a raw data average. The model takes into account factors including the age of a rating, whether the ratings are from verified purchasers, and factors that establish reviewer trustworthiness. See All Buying Options Add to Wish List Disabling it will result in some disabled or missing features. You can still see all customer reviews for the product. My only regret is that I didn't wait a little longer for the RC-300. This is the conundrum with tech toys, there is always a more feature laden, newer model. Each layer sounds clear and distinct. Happy with the performance and how it has integrated into my setup. While it had lots of cool features like tons of drum beats to play with, adjustable time signatures, quantizing, and the ability to mix up to 3 different layers, it made this strange hiccup in the sound when I didn't loop to the drum beats, which I had turned off. The beginning of the loop was always audible by a restart in the sound rather than the end of the loop flowing sonically into the beginning like other loop pedals do (or should do). It seems like the pedal would be great if you wanted to always record everything to a beat, but I do a lot of live looping and don't want it to be noticeable when a loop starts. I don't think this would be an issue unless you're using the pedal live, but I didn't want to have to always remember to turn this knob up and back down and risk interrupting whatever musical situation I'm in with this annoying drum beat guide. So I think if you're planning on doing any live looping this pedal is probably not a great choice, but if you're creating loops to use live it would probably be pretty cool since it gives the user a lot of control over the sound. Please try again later.It is fairly simple to operate and the sound quality is good.dienhoanghean.com/upload/ck/files/canon-lbp-5975-manual.pdf My only regret is that I didn't wait a little longer for the RC-300. This is the conundrum with tech toys, there is always a more feature laden, newer model. Each layer sounds clear and distinct. Happy with the performance and how it has integrated into my setup.Please try again later. Please try again later. Matthieu P. Decker 4.0 out of 5 stars This unit solves both of those functional issues and is a pleasure to work with. This isn't really a problem though, good training really.Please try again later. Please try again later. Michael Suydam 5.0 out of 5 stars Prompt and reliable.Please try again later. Please try again later. Brian Friedland 2.0 out of 5 stars While it had lots of cool features like tons of drum beats to play with, adjustable time signatures, quantizing, and the ability to mix up to 3 different layers, it made this strange hiccup in the sound when I didn't loop to the drum beats, which I had turned off. The beginning of the loop was always audible by a restart in the sound rather than the end of the loop flowing sonically into the beginning like other loop pedals do (or should do). It seems like the pedal would be great if you wanted to always record everything to a beat, but I do a lot of live looping and don't want it to be noticeable when a loop starts. I don't think this would be an issue unless you're using the pedal live, but I didn't want to have to always remember to turn this knob up and back down and risk interrupting whatever musical situation I'm in with this annoying drum beat guide. So I think if you're planning on doing any live looping this pedal is probably not a great choice, but if you're creating loops to use live it would probably be pretty cool since it gives the user a lot of control over the sound.Please try again later. Please try again later. Victor Eijkhout 4.https://www.training4thefuture.co.uk/wp-content/plugins/formcraft/file-upload/server/content/files/1627311317f1f1---briggs-and-stratton-antique-engine-manuals.pdf0 out of 5 stars For instance, having 3 separate phrases means you can not just build up a loop (which you can with any looping pedal) but deconstruct and reconstruct it by switching out parts. A popular trick is to mute one of the phrases for a while and then bring it back in with great dramatic effect. Further features: using the the 3 phrases in single mode, where only one plays at a time. Store verse, chorus, bridge in three phrases of a patch, and just switch between them with the pedals. Multiple outputs: I have it set up so that the guide beat only goes to my headphones, but not to the (stereo!) out. You can even have the input not go to the output, so you can build up your loops without the audience hearing it. This unit has several advantages over the EH 8080 which also has multiple phrases. 1. Undo pedal. That's a life saver. Here you can play a one bar drum loop in phrases 1, loop it and play a two bar rhyhtm over it in the next phrases, et cetera. But much as I like this unit, there is room for improvement. 1. The phrases always have 100 feedback. I with they could quantize to beats, for really irregular polyrhythm stuff.Please try again later. Please try again later. Matthew L. Montoya 4.0 out of 5 stars It's much easier to use than I thought it would be. I used one at my local music store and ended up embarrassing myself, because it was the first time I'd ever touched it. So, because I didn't wanted that feeling of embarrassment again, I read the first few pages of the manual on how to use it, practiced with it for a good 20 minutes, and I had it down, apart from a couple little things I learned along the way. The little light on the pedal blinks as a metronome, and it can play drum loops as a guide, which makes thing a bit easier. You hit the record pedal to obviously record, and hit it again when you want it to loop. There's a lot I've left out, these are just the basics, the manual has everything you need to know.https://www.optionassurance.ca/wp-content/plugins/formcraft/file-upload/server/content/files/16273113e67638---briggs-and-stratton-antique-repair-manual.pdf Features: Drums loops: There are plenty of drum loops available, varying different genres. Reverse: If you're like me, you will LOVE this feature. My favorite band is Boards Of Canada, so obviously I enjoy the sound of music backmasked, which they do in a ton of their songs. You can record a loop in a phrase, and then reverse whatever is being played in that phrase. You can make some really dark moods, or create a very unique sound of drums (Ex. USB Connector: Exchange data between RC50 and computer. Again, more stuff I've left out, but I don't want this review to be too long. These are just the features I mainly use. The rest of the pros I'm sure I mentioned earlier. I can't operate all the knobs and buttons with my feet, and I hate having to bend down in order to do that. This is my biggest complaint. Other than that, I'd recommend this looper. For the stuff I want to do in music, I couldn't do it without this.Please try again later. Please try again later. Gregory Milligan 5.0 out of 5 stars It started as just a way to rehearse when playing with my drummer only. It sounded so good that we started gigging in that configuration. Now, I have drum, bass, percussion, rhythm guitar, phrases for about 60 original worldbeat tunes on board (pre-recorded). I am able to play gigs on my own, or as I bring in other instruments, just take out that phrase. Very easy and intuitive. Also, adding live looping is simple, it quantizes to the down beat and just auto-magically works. Loopers use loop stations in a couple of different ways. I highly recommend it.Please try again later. Please try again later. Limitless 5.0 out of 5 stars I have powerful computer software that can create a looping chain, but for just a quick looping of any type of inspirational idea or a live one man gig, or even just for practicing your chops this unit is the real deal. The sound quality is great.Please try again later. Please try again later. Craig P. 1.www.dhcrowntech.com/image/files/20220514_083313.pdf0 out of 5 stars Sound signal quality is horrific. Roland support ignored my complaint, failed to fix the unit. They recorded one string pluck and sent it back. Note to Roland - I have never purchased any of your product offerings since.Please try again later. Please try again later. When you purchase through links on our site, we may earn an affiliate commission. Learn more A must-try product. Lack of click for live drummer.With BOSS's RC-20 and the upgraded RC-20XL things went decidedly mainstream and DigiTech also entered the fray with an up-spec'd version: the JamMan. Even Line 6's DL4 also provided basic sound-on-sound looping too while Akai's Headrush has quite a following (including KT Tunstall, and you can't get more mainstream than that). Electro-Harmonix's 16 Second Delay is another option and the company's 2880 is a four-track digital multi-tracker-come-looper. Part multi-tracker, looper and rhythm machine, its potential as a performance instrument is vast, matched only - initially at least - by its complexity. In basic terms the RC-50 offers three loops (phrases) that can be recorded and stored into one of 99 patches. Each patch can be named and the phrases within can become song specific. Unlike, for example, the DigiTech JamMan's, removable media, the RC-50 has onboard memory that equates to 24 minutes of recording time (stereo) and 49 minutes in mono. This might seem slight but don't forget the RC-20XL only had 16 minutes of mono-only recording time and we're not talking about recording three-minute phrases (although that's perfectly possible). Most loops, by the nature of the concept, are much smaller in length - four or eight bars for example - which are then continuously repeated. This is essential for back-up, but also to free up the onboard memory. The RC-50 is certainly not guitar-specific. We have aux (3.2mm stereo jack for CD etc.), mic (XLR with phantom power) and instrument (6.4mm jack) inputs each with their own level controls and global red LED peak indication. You can record from all three simultaneously but only to one phrase. A 'centre-cancel' function allows you to lose (typically) lead vocal and lead guitar from a prerecorded source, and the flat amp function adjusts the tone of the recorded audio to sound more accurate through your guitar amplifier. But the RC-50 isn't just intended to send its output to your instrument amp. A very sensible feature, along with the main stereo outputs, is the inclusion of stereo sub outputs. You can configure, if needed, the main outs to your guitar amp or via the sub outs to the PA (or another guitar amp) and you can do this for each phrase within a patch or globally. And because you'll probably be spending a considerable time working with the RC-50 after-hours, a 6.4mm stereo phones jack is supplied. The RC-50 is impressively presented with its all-metal construction, clear large red LED patch number indicator and smaller but highly visible LCD display: the fact that you can name patches is essential for live performance. The lower half of the unit houses seven footswitches (there's facility for four additional control switches too). The upper half of the unit is sensibly laid out and although the push-button quota is high, the rotary controls make it easier and quite fast to navigate. At this point, we have to say however that from a guitar player's viewpoint at least, the manual - though extremely comprehensive - is not written with your typical guitar-wielding luddite in mind. The top side of the unit is where you'll find all the aforementioned connections and again it's reassuringly stageworthy with proper metal chassis jacks. Powering is from a supplied mains adaptor but the proximity of a strain-relief clip means even this feature has been thought through - this really isn't a cheaply made unit for home use alone. In use The RC-50 offers two play modes: multi and single. In basic terms multi allows you to record each phrase to one of the three locations and like a multi-track play them back either individually or simultaneously. So phrase 1 could be a rhythm guitar, phase 2 a bass part and phrase 3 a lead fill - you can then happily solo, sing or dance over the top. There is a fair bit of tap-dancing involved when looping live but, to be fair, that's part of the looper's skill. Loop sync (on or off) allows you to either play each loop continuously (off) or from where it actually originally started in relationship to the longest loop (on). In single mode, you can switch between your recorded phrases voicing one at a time - ideal for intro, main and end patterns, for example. The rhythm guide of some 50-plus patterns is like a pre-programmed drum machine and the sounds are really very good. Admittedly, if you're a home recordist with a library of drum sounds and loops it's pretty basic, but to get you going it's more than adequate. This rhythm guide info is retained once you save simply save your patch and can be outputted, like each phrase, to the either or both of the main and sub outs - effectively giving you an 'extra' track. Inexplicably, there's no click pattern, or separate monitor out, that could be sent to your drummer via headphones. So plug in you guitar, kick off the rhythm guide and lay down your first phrase. Each phrase can be overdubbed - play the same chord part and you instantly create a natural chorusing - or you can add a harmony line. Believe us, in minutes you're stacking parts, kicking then in and out and that's just with a clean guitar straight into the RC-50. You'll be hooked. There are numerous neat features; not least the reverse phrase function. For example, you can reverse a recorded chord pattern, work out a solo part over it, then restore the original pattern and reverse the overdub: instant and in-tune reverse parts. You can alter tempo after you've recorded a part and although the audio quality gets a little warbly, it can be useful, for example, to work on difficult parts that you're trying to play. With comprehensive MIDI specification the RC-50 can be hooked into a sophisticated set-up or trigger auxiliary sequencing devices. Bottom line, the RC-50 absolutely encourages creativity. Yes, it takes a little while to get your head around the basic functions but we can't think of any guitarist (or musician in general) who wouldn't find a highly productive (or fun) use in practice, performance or songwriting You will receive a verification email shortly. Please refresh the page and try again. You can unsubscribe at any time and we'll never share your details without your permission. Visit our corporate site. Bath. BA1 1UA. All rights reserved. England and Wales company registration number 2008885. Get Details As you shop, we'll only show you items that ship to Russian Federation. If you prefer to see our full catalog, change the Ship-To country to U.S.A. Click here Learn More (Opens in new window) Learn More (Opens in new window) Learn More (Opens in new window) Learn More (Opens in new window) Learn More (Opens in new window) Learn More (Opens in new window) With its seven footswitches you can manipulate three stereo phrase tracks simul. Click To Read More About This Product With its seven footswitches you can manipulate three stereo phrase tracks simultaneously. Each track supports multiple overdubs, so phrases can be stacked one by one on each track, resulting in a monstrous layer of looped phrases. The RC-50 can be locked to an external MIDI clock source, ensuring that its loop performances are absolutely locked to the rest of the show. Internally, the RC-50 offers Loop Quantize for easy loop recording, plus Loop Sync (which enables all phrases to start in sync) and Tempo Sync (which matches the tempo of multiple phrases during playback). Rhythm Guide To make recording as fun and inspiring as possible, the RC-50 provides a total of 379 play-along Rhythm Guide Patterns using real sampled drums in a wide variety of time signatures.Housed in a spacious seven-footswitch floor unit, the RC-50 lets you manipulate three stereo phrase tracks simultaneously.All Rights Reserved. Publisher does not accept liability for incorrect spelling, printing errors (including prices), incorrect manufacturer's specifications or changes, or grammatical inaccuracies in any product included in the Musician's Friend catalog or website. Prices subject to change without notice. Obviously, we are speaking about an advanced machine. It can build a very complex loop, a sort of arrangement. If we consider the target of this product, the advanced user, the memory capacity is a weak point of this Boss device. For example, it can be locked to an external MIDI source, so to synchronize the active patch with all the devices connected to the MIDI source. Unfortunately, at the moment, the synchronization doesn't work perfectly. There are too many problems that have not been corrected by Boss, at least for the moment. The Japanese company has released a new firmware, but the problems persist and someone says that there could be an error in the MIDI implementation. Now the question is: this is a software problem or hardware. If it is a software bug, it will be surely solved. If the problem is hardware, this means that the RC-50 has an important limit that, above all, cannot be solved.It allows a perfect recording, without imperfections, and with the help of an automatic system that deletes the excess parts. The creation of a loop is a fast and easy operation. It is equipped with 379 patterns, with real sampled drums, and a large amount of Time Signatures. I have to say that it is really extraordinary. It provides many different options for all possible genres and styles. Certainly, this function is one of the main added values of this device. It cannot disappoint. A remarkable flexibility is another important characteristic of this Boss product. The microphonic input features the Phantom Power and a dedicated knob for the volume, so the user can connect also a condenser microphone. Obviously, there are also a dedicated input for an instrument and the Aux In for an external audio source, for example a CD or an MP3 player, both with a specific control for the volume. On the front panel we can see a led for the peak of the signal. It is useful to avoid distortions during the recording or the playback of an external source. This device doesn't own an extraordinary capacity of the memory, therefore we understand how this function can turn out very useful. It makes difficult the use of the RC-50 in a live context. The price could be good if everything was fully operational, but for the moment Boss hasn't solved the problem and so my opinion is that the price is excessive. The high-voltage circuit preserves the guitar tone.