Boss Gt Pro Manual Espa Ol

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Boss Gt Pro Manual Espa OlDiscover everything Scribd has to offer, including books and audiobooks from major publishers. Start Free Trial Cancel anytime. Report this Document Download Now save Save Boss Gt Pro Manual For Later 48 views 0 0 upvotes 0 0 downvotes Boss Gt Pro Manual Uploaded by kreatos Description: Manual BOSS GT Pro Guitar Procesor Spanish-Espanol Full description save Save Boss Gt Pro Manual For Later 0 0 upvotes, Mark this document as useful 0 0 downvotes, Mark this document as not useful Embed Share Print Download Now Jump to Page You are on page 1 of 162 Search inside document Browse Books Site Directory Site Language: English Change Language English Change Language. No part of this publication may be reproduced in any form without the written The lightning flash with arrowhead symbol, within an CAUTION equilateral triangle, is intended to alert the user to the RISK OF ELECTRIC SHOCK presence of uninsulated “dangerous voltage”. Also, all cords and cables should be with your retailer, the nearest Roland Service placed so they are out of the reach of children. Center, or an authorized Roland distributor, as listed on the “Information”. If using some other make of connection cable, please note the following precautions. SPEAKER Button 4. Press to change the settings. 23. EXIT Button 10. Stereo Headphones Tuner etc. Guitar Amp Foot Switch EXP Pedal EXP Pedal (FS-6 etc.) (Roland EV-5 etc.) (Roland EV-5 etc.) External Effects Processor External Effects Processor OUTPUT INPUT INPUT OUTPUT MIDI IN MIDI OUT OUTPUT. MODE switch and POLARITY switch as shown below. When using the GT-PRO with different guitars, you can conveniently adjust the input levels for each patch with 2. These knobs The GT-PRO’s internal effects are switched on and off with let you make adjustments or changes to the selected patch’s button controls.You’ll probably want to take advantage of this feature by assigning names that suggest the sound you’ll obtain, or the song in which it’ll be used.http://oookub.ru/upload/fckeditor/boss-effects-manual.xml

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On the GT-PRO, you can “swap” or exchange the positions This is convenient when you want to create a new patch from of two User patches. The following explains how this is done. COSM technology plays an indispensable role in simulating The sound being input to each effect is called the “direct. This is the built-in speaker of the amp you Effective with Dynamic selected for Chan- Original selected with “Type.” nel Mode. Models the sound of the Channel 2 RAW Warm Clean This gives a mellow, clean sound. R-FIER Raw. Connect original sound to add depth and breadth. This is an effect that produces a long sustain by evening out the volume level of the input signal.Explanation Range Peak Type Adjusts the way in which the wah effect ap- see below Selects the type of tone modification. This adjusts the tone as a sub equalizer. A parametric type is adopted for the high-middle and low-middle range.This produces an effect like the sound of a rotary speaker.You can also play tar sound, then send the square waveform ( ) from the inter- individual notes on the guitar and let the GT-PRO judge nal sound generator.When it is set to “0,” no PWM effect is obtained.A parametric type equalizer is used continuously. This effect allows you to perform the melody for the upper and lower midrange. For more detailed information, refer to “Setting External. Delay Time (TAP) Used for tap input of the delay time. Here, you can individually determine which controller is to 6. Repeat Steps 4 and 5 as needed.EXP pedal: When using an external foot switch, or other controller that fig.06-0190. Controllers that can be selected as the source are shown Value Explanation. The GT-PRO features a function called Internal Pedal system. CTL PEDAL 1 This function assigns specified parameters to a virtual EXP.https://cgfproducts.com/fck_upload/boss-effects-pedal-manuals.xml The patches are switched automatically When a patch is selected on the GT-PRO, a Program Change when the program numbers corresponding to the patches are message corresponding to the patch number is transmitted input along with the performance data at the points where simultaneously. Set The MIDI messages that the GT-PRO can transmit and them as needed, depending on the intended use. For more details, reefer to p. 77. MIDI EXP1 OUT (MIDI EXP 1 Pedal Out) fig.07-0100d. MIDI is an acronym for Musical Instrument Digital Interface,. Both “Now sending.” is displayed, and the data is the GT-PRO and FC-200 are set at the factory to MIDI transmitted to the FC-200. You can save the tone settings (patches) you point you need to turn off the power to the GT-PRO and install the driver. Set these functions according to how you want to use the unit. fig.09-0080d. Set this to On when using the GT-PRO as a standalone device, without connecting to a computer (no sound will be output if this is set to Off). Set this to Off if transmitting audio data internally through a com- 3. When you set the GT-PRO to the Advanced driver mode (p. This is not limited to touch wah, but provides tonal changes in real 5. This is called the “Global function.” With the Global function, you can temporarily change your settings to match those of your equipment and the operating. If this occurs, adjust jacks or those input via USB, to which the effects are applied. When the Tuner is turned on, sounds input to the GT-PRO The name of the note closest to the pitch of the string that are output directly as is (bypassed), and the tuner is was played appears in the display. Bypass Sounds input to the GT-PRO bypass the processing and are output directly as is. When the tuner is switched on while set to “Bypass,” you can adjust the volume of the direct sound by moving the EXP pedal (EXP pedal connected to the EXP PEDAL 1 jack or the FC-200’s EXP pedal (MIDI.http://www.drupalitalia.org/node/71833 If you should require this publication (such as when you intend to carry out byte-level programming), please contact the nearest Roland Service Center or authorized Roland distributor. Mode 1: OMNI ON, POLY. The GT-PRO Driver sends data from the application to the GT-PRO, and passes data from the GT-PRO to the application. In Special driver mode, audio signals are transferred between the GT-PRO and the computer at a bit depth of 24 bits and a sample rate of 44.1 kHz. You are now ready to install the driver. Before connecting the USB cable, switch the GT-PRO’s driver mode to “Advanced.” For instructions on switching the GT-PRO’s driver modes, refer to “Switching the Driver Mode” (p. 88). Make sure that the GT-PRO’s OUTPUT MAIN and SUB knobs are set to the lowest setting, then switch ON the POWER switch. Log on to Windows using the same user account as the one used when the driver was installed. Make sure that the GT-PRO’s OUTPUT MAIN and SUB knobs are set to the lowest setting,. Continue the installation. If “File signature verification”. If you fail to make this setting, you may experience interruptions in the sound. To ensure that MIDI and audio processing occurs smoothly, use the following procedure to make settings.Make sure that the GT-PRO’s OUTPUT MAIN and SUB knobs are set to the lowest setting, then switch ON the POWER switch. Make sure that the GT-PRO’s OUTPUT MAIN and SUB knobs are set to the lowest setting, then switch ON the POWER switch. Make sure that the GT-PRO’s OUTPUT MAIN and SUB knobs are set to the lowest setting, then switch ON the POWER switch. Make sure that the GT-PRO’s OUTPUT MAIN and SUB knobs are set to the lowest setting, then switch ON the POWER switch. File (driver) copying will begin. If the Windows CD-ROM is not inserted in the CD-ROM drive, a Insert Disk dialog box may appear. For System icon may be displayed details, refer to the owner’s manual for your software.https://dfwdrivingschool.com/images/boss-gt-8-owners-manual-download.pdf Software settings Before you start up your software, use a USB cable to connect the GT-PRO to your computer.In Special driver mode, audio signals are transferred between the GT-PRO and the computer at a bit depth of 24 bits and a sample rate of 44.1 kHz. In the Driver (Mac OS X) folder of the CD-ROM, double-click GTPROUSBDriver.pkg. The display will indicate “Welcome to the BOSS GT-PRO USB Driver Installer”.If a GT-PRO is already connected to your Macintosh when you install the driver, a message like the following will appear when the Macintosh is started up. Perform the steps described below as appropriate for the message that is displayed. Make sure that the GT-PRO’s OUTPUT MAIN and SUB knobs are set to the lowest setting, then switch ON the POWER switch. Verify that the OMS MIDI Device Setup dialog box lists the GT-PRO.Make MIDI device settings on your sequencer software. For details on settings, refer to the manual that came with your software. The About Quick Setup dialog box will appear. A setting window will appear. In the setting window, change the device name indicating the MIDI device connected to the GT-PRO as follows. If the sound of the alert comes from the GT-PRO when you do from your Macintosh (including so, it means that the GT-PRO is being recognized and that the driver has been installed properly. Make sure that the GT-PRO’s OUTPUT MAIN and SUB knobs are set to the lowest setting, then switch ON the POWER switch. Test signals will be output from the GT-PRO; left first, then right, as indicated in the screen. fig.12-450 In the Sound dialog box, click the Input tab. Perform the driver installation (p. 138) once again. To adjust the latency, change the Buffer Size in the driver settings dialog box. BOSS GT-PRO will not be displayed unless the classic view is selected. MIDI messages arriving at the MIDI IN connector cannot 3. In such cases, connect only the GT-PRO the driver must be installed. For installation and settings, to your computer.https://iamluno.com/wp-content/plugins/formcraft/file-upload/server/content/files/16272f6c525ed5---briggs-and-stratton-16-hp-vanguard-manual.pdf Mac OS 9 users 1. Disconnect the USB cable (by which the GT-PRO is connected) from your Macintosh. 2. From the system extensions folder, drag “USB GT-PRO Driver” into the trash to delete it. For the USA DECLARATION OF CONFORMITY Compliance Information Statement Model Name: GT-PRO Type of Equipment: Guitar Effects Processor Responsible Party: Roland Corporation U.S. Address: 5100 S.Eastern Avenue, Los Angeles, CA 90040-2938 (323) 890-3700 Telephone. But when it comes to guitar tone, does the GT Pro put Boss in charge? However, the Boss product line has also included some serious guitar-based multi-effects processors. For a good number of years these products have been based upon Roland's COSM (Composite Object Sound Modelling) technology which, amongst other things, provides the required amp and cabinet modelling. As described later, this makes it possible to produce some huge guitar tones. That said, the GT Pro also comes with a fairly hefty price tag — so is it a price worth paying? Both the front and back panels are fully stocked. The front-panel controls are split into a number of logical groups, on the far left being the input and output controls, including a guitar jack input (usefully duplicated on the rear panel, although the front-panel socket takes precedence) and a headphone output. Centre-left is dominated by the display, a large rotary knob for patch selection or parameter adjustment and a set of extremely 'amp-like' tone and presence controls. The mass of buttons to the right of the display deals with all the effects options and provides access to the unit's various system settings. On the rear panel, all the analogue connectivity operates at 24-bit, 44.1kHz. This includes the unbalanced main outputs and both unbalanced and balanced (XLR) 'Sub Out' outputs. In a live context, the main outputs might be used to feed a guitar amp (or pair of guitar amps), while the Sub Outs could provide a direct feed to a mixer.www.denizraf.com/image/files/computer-technician-manual-download.pdf The final key feature of the rear panel is the USB connector.The effects options are split into 44 categories and up to 15 effects blocks can be used at any one time. These categories include overdrive, distortion, compression, limiting, chorus, delay, reverb and wah, with the more unusual defretter, guitar simulator, sitar simulator and wave synth amongst the many others. Combinations of these amp and effects models can be built into patches and, alongside the 200 preset patches, the unit can hold a further 200 user patches — enough for even the most demanding of tone tweakers. These devices include simple expression pedals such as the EV5 and switches such as the FS5U or FS6, but the top of the range is the FC200. This offers 13 footswitches and an expression pedal and, via the dedicated FC200 'mode' available in the GT Pro, would provide an excellent companion for the processor, both in the studio and on stage. This would enable the switching of patches, expression-pedal control with effects such as volume or wah and the ability to turn effects on and off on the fly.Given the processing power provided by the GT Pro, things can get a little more complex, as each patch can have both A and B channels (rather like many traditional guitar amplifiers) and different amp and speaker combinations can be selected for each channel. In the former, the two channels are separated to the left and right outputs, so in a studio setting you might have a Fender Twin model coming out of your left monitor and a Marshall stack model coming out of the right. As you can also specify a delay of up to 50ms between the two channels, this can create some very convincing 'double-tracked' guitar sounds. In dynamic mode, channels A and B are switched depending on picking intensity. With suitable sounds programmed in both channels, this can provide some very creative options for changing the guitar sound on the basis of how hard you play.https://www.sgestrecho.es/wp-content/plugins/formcraft/file-upload/server/content/files/16272f6d217ba4---briggs-and-stratton-17-hp-intek-ohv-service-manual.pdf Dynamic control can also be used with some GT Pro effect types, most obviously with the touch wah. In part, this is simply because of the many dedicated buttons on the front panel. However, guitarists can be a conservative lot when it comes to technology (although this probably doesn't apply to those that are regular SOS readers) and I could easily imagine potential purchasers being a little daunted during their initial encounter with the GT Pro. Inevitably, patch editing via a graphic interface on the computer is much more intuitive than via the GT Pro's own 16-character, two-line LCD. The GT Pro Editor also allows users to make easy adjustments to the effects signal chain by simply dragging and dropping the various effects blocks at the base of the window. The Librarian application does its job well enough, and the only thing that I would have liked to see is a closer link between the two applications. During my tests the ASIO drivers certainly seemed to behave themselves well enough for both recording and playback duties via Cubase SX. The SX Performance meter barely flickered while my computer played back a mix containing a couple of VST instruments and half a dozen stereo audio tracks while simultaneously recording a new stereo track via the GT Pro. The only odd behaviour I noticed was that VST intrument plug-ins seemed to take quite long time to load initially. Otherwise, the drivers performed well. While I'm not sure I'd want to use the GT Pro as my main audio interface (just as I don't rely on my own Pod XT for these duties), it would do a respectable job if you didn't require a phantom-powered microphone input. One advantage of recording guitar parts via the GT Pro, however, is that it is possible to specify where in the signal chain the USB output is taken. While you might usually take an output with amp modelling and effects applied, you can also choose to record the unprocessed signal while still monitoring the processed one.https://suhrsmad.dk/wp-content/plugins/formcraft/file-upload/server/content/files/16272f6ddd5cd6---briggs-and-stratton-17-hp-engine-repair-manual.pdf The unprocessed signal could then be fed back to the GT Pro and 're-amped', allowing you to adjust the guitar sound to best fit the final mix without having to re-record the performance. This re-amped sound can then be recorded back to the computer. Mac: Mac OS 8.6 or later, Power PC G3 600MHz or faster, 512MB RAM recommended, 200MB hard disk space, on-board USB port. The presets tend to be dominated by some big-sounding tones, often layered with a good dose of effects. While I'm sure the intention is to impress when the unit is being demo'd in a shop, the sounds are undeniably good. If you need a single sound to fill a lot of space, these are just the job. One or two of the more off-the-wall processes are perhaps less effective upon close studio examination (the acoustic guitar simulation, for example) but would work well enough in a live context, while some of the others — including the wonderful slicer — provide plenty of creative possibilities. Finally, there's a USB port for direct connection to a computer. Photo: Mike Cameron A good number of the presets are aimed at various styles of rock, but there are some nice clean and special effects patches too. However, as with all units of this type, it's always worth digging beneath the effects and listening to the basic amp and speaker modelling. The GT Pro has nothing to hide here, as it is very capable of producing a wide range of basic guitar-amp sounds without the fairy dust provided by the effects. From glassy, clean tones through to absolutely saturated hi-gain, pretty much everything is provided, and mixing and matching between the various amp models and the different speaker-cabinet types produces even greater variety. There is a place for both of these approaches and I'm sure individual players, with their own playing styles and musical needs, would have their own preferences when auditioning the GT Pro alongside their current amp-modelling weapon of choice.www.denizlihurda.com/image/files/computer-technical-manuals.pdf All that said, I'd be more than happy to find a GT Pro in my own rack. From a technical and sonic perspective, this is a very professional piece of equipment. Pros Huge number of processing options in a relatively small space. Excellent range of effects. Ships with editing software. Cons A little pricey for some. Front-panel editing may be a little daunting for some at first. Everything You Wanted To Know About Studio Headphones. 1 month 3 weeks ago. Top 10 Boring Things That Are Really Important In The Studio 2 months 3 weeks ago. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. The views expressed are those of the contributors and not necessarily those of the publishers. BOSS TONE CENTRAL is a library service offering additional contents for BOSS products. By simply launching the dedicated BOSS TONE STUDIO application and connecting to the internet, you can download any of the free contents from our growing collection. GT-1000 Live Sets GT-1000 Product Details GT-1 Compact multi-effects provides tone quality and sound-shaping ability that far exceeds. GT-1 Live Sets GT-1 Product Details GT-1B Mobile powerhouse gives bass players a massive range of pro tone-shaping power in a small and robust package. Update your GT-100 to use BOSS TONE STUDIO. Ver.2 software is available as a free download for all GT-100 owners at the product page. GT-100 Ver.2 Live Sets GT-100 Ver.2 Product Details GT-001 A stylish desktop processor with the amps and effects of the flagship GT-100 Ver.2 for your home studio or mobile rig. GT-001 Live Sets GT-001 Product Details ME-80 New ME series model with compact and powerful floor multi-effects with a simple knob-based interface. ME-80 Live Sets ME-80 Product Details ME-25 A compact size multi effects unit providing instant access to your ideal tone from extensive collection of onboard SOUND LIBRARY. BOSS TONE STUDIO for ME-25 works as a librarian software. ME-25 Live Sets ME-25 Product Details GP-10 All-in-one unit with user-customizable tunings, instrument modeling and flagship quality multi-effects. GP-10 Live Sets GP-10 Product Details SY-300 True analog-style polyphonic guitar synthesizer with zero latency and no special pickup required. RC-10R Song-Based looper and smart rhythm machine for modern music creators. RC-10R Track Sets RC-10R Product Details RC-505 Tabletop looper with five loop tracks, dedicated controls and powerful effects. RC-505 Track Sets RC-505 Product Details RC-202 Advanced BOSS technology in a compact tabletop looper with two loop tracks. RC-202 Track Sets RC-202 Product Details RC-300 Floor type flagship looper with three stereo tracks, dedicated footswitches and controls for each. RC-300 Track Sets RC-300 Product Details RC-30 Two stereo tracks twin pedal looper with effects and support for battery power. RC-30 Track Sets RC-30 Product Details RC-3 Simple operation and powerful stereo looper in a compact pedal with up to three hours recording time, 99 onboard memory phrases. WAZA-AIR Over-ear guitar sound system with wireless connectivity, premium amp and effect tones, Bluetooth audio streaming, and sound editing via your smartphone. WAZA-AIR Live Sets WAZA-AIR Product Details KATANA-Artist MkII The flagship Katana tones backed by the 12-inch WAZA Speaker with increased 100-watt capacity. Exclusive front-faced controls including Contour, Global EQ and Solo boost features for professional sound shaping. Stage-ready 100-watt combo amp with two custom 12-inch speakers. Stage-ready 100-watt combo amp with a custom 12-inch speaker. KATANA-100 MkII Live Sets KATANA-100 MkII Product Details KATANA-50 MkII Katana MkII takes the acclaimed Katana guitar amp series to the next level, turbocharging the core platform with more sounds, more effects, and more features. Stage-ready 50-watt combo amp with a custom 12-inch speaker. KATANA-50 MkII Live Sets KATANA-50 MkII Product Details KATANA-HEAD MkII Katana MkII takes the acclaimed Katana guitar amp series to the next level, turbocharging the core platform with more sounds, more effects, and more features. Light and portable 100-watt guitar amp head with powerful, gig-ready sound. KATANA-HEAD MkII Live Sets KATANA-HEAD MkII Product Details KATANA-AIR The Katana-Air gives you the freedom to jam and practice without hassling with guitar cables. KATANA-AIR Live Sets KATANA-AIR Product Details KATANA-Artist With a premium 12-inch Waza speaker, semi-closed cabinet, and newly retuned amp characters, the 100-watt KATANA-Artist is a powerhouse tone machine for professional players. KATANA-100 Live Sets KATANA-100 Product Details KATANA-50 With 50 watts of power and a custom 12-inch speaker, the KATANA-50 delivers a commanding range of gig-worthy tones that gracefully slice through any band scenario. KATANA-50 Live Sets KATANA-50 Product Details KATANA-HEAD Compact and powerful, the 100-watt KATANA-HEAD delivers sharply defined rock tones with rich, commanding presence. KATANA-HEAD Live Sets KATANA-HEAD Product Details Terms of Use. Boss GT-8 Russian. Support - GT-8 Owner s Manuals. Double your power with BOSS s new GT-8 floor-based mega processor. Unfortunately I can not find a manual for Tone Studio. It is not possible to import GT-8 patches into a GT-100. There s a lot of information available about this awesome processor. Guitar Effects Processor. Boss owner s manual bass effects processor gt-6b (84 pages). Music Pedal Boss MT-2 Metal Zone Instructions Manual. (8 pages). View and Download Boss GT-10B owner s manual online. Boss - Multi Effect Pedal. Music Pedal Boss GT-6. processor (13 pages). Find great deals on eBay for Boss GT-10 in Multi-Effects Guitar Pedals. Incredible and powerful multi-effect and modeling processor. Manual Not Included. NOTE: BOSS GT-10 Patches will work with a BOSS JS-8 if you manually transfer. Product manual icon. Boss GT-8. Boss With Power Supply GT-8 Multi Processor Black. Videos; BOSS GT-1 Guitar Effects Processor; GT-1 Quick Start chapter 1. Manual on GT-1 awful, I found only 1 things better between Mooer GE100 and. I use a Radial mic splitter for vocals from the Ve-8 and Digi 4 for the harmony vocals. 21 Nov 2014. road-tough construction-everything on a BOSS pedal is made with the professional in mind. Musicians who. AD-8 Acoustic Guitar Processor. GT-8 Guitar Effects Processor.Reload to refresh your session. Reload to refresh your session. I read that the GT-Pro has a PRE LOOP feature, where you can connect effects like Overdrive, Distortion, etc. Basically effects that will come before the preamp - hence the PRE, I assume. Well, I have a question then. That should be correct, right. Another one. I can't seem to find any place to adjust settings of the PRE LOOP. The manual says nothing. Are there any, or? Anyone how know more about this. Thanks! Cheers! Kenni. I've pulled out my old GT-Pro and while reading through the manual I discovered something I wan't aware of. Are there any, or? Anyone how know more about this.Thanks for that. Okay, I see - fixed at -10dB - got it. I've try and mess around with it some more, and see what happens By the way - the connections are correct, right. Connecting the pedal's input to the send on the PRE LOOP and the pedal's output to the return on the PRE LOOP? Thanks! You will need a GT-Pro USB driver installed from the Boss site. Usado: Muy buenoPackaging will be damaged.Logistica de Amazon es un servicio que ofrecemos a los vendedores para permitirles almacenar sus productos en los centros logisticos de Amazon, donde nosotros los empaquetamos y los enviamos a los clientes. Ademas, Amazon ofrece servicio de atencion al cliente para dichos productos.Mas informacion sobre el programa. Por favor, intentalo de nuevo mas tarde.Intentalo de nuevo.Elija una ubicacion de entrega diferente.Para salir de este carrusel, utiliza la tecla de acceso directo del encabezado para desplazarte al encabezado siguiente o anterior. Pagina 1 de 1 Volver al inicio Pagina 1 de 1 Para salir de este carrusel, utiliza la tecla de acceso directo del encabezado para desplazarte al encabezado siguiente o anterior. Intenta mas tarde hacer tu busqueda de nuevo.AIRD amplifiers live and breathe like real tube amps, providing inspiring feel and authentic tonal dynamics that were previously unattainable. And with sophisticated AIRD Output Select functionality, you’re able to consistently achieve this amazing sound with any setup, from standard guitar amps to full-range playback systems.And with the convenience of built-in Bluetooth, you can adjust sounds, configure control assignments, and organize patches wirelessly from your mobile device using the BOSS Tone Studio app. Packing immense creative power in a streamlined pro design, the GT-1000 is a game changer that brings new levels of musical expression to guitarists everywhere.Based on the comprehensive Tube Logic concept behind the renowned Katana, Waza, and Blues Cube amplifiers, AIRD takes the amp processor to a new level of performance, flexibility, and practical usability.The Tube Logic design philosophy fully realizes this interactive experience, and it’s been hugely successful in the self-contained guitar amps where it’s been employed. However, bringing this approach to a guitar processor like the GT-1000 introduces many challenges, because players will use it with a variety of external amplification systems that add their own characteristics to the sound. BOSS developed AIRD to address these challenges, employing sophisticated techniques to ensure that the GT-1000’s groundbreaking musical response can be consistently experienced with any rig.In contrast to traditional modeling methods, AIRD reproduces the complex internal component interactions of tube amps in every way, from guitar input to speaker output and everything in-between. The result is a complete interactive system that’s a living, breathing instrument, just like your favorite high-end tube amp.Thanks to AIRD, your sound always feels great under your fingers and “sits in the mix” properly, delivering a truly organic musical experience that’s never been available from a digital guitar processor until now.By choosing from a large selection of AIRD Output Select types, you can perfectly tailor the GT-1000 for any destination, whether it’s a guitar amp input, an amp effects return, a power amp driving guitar speakers, or a full-range monitoring system. There are built-in AIRD Output Select types for a wide variety of amps, plus two user locations for loading additional selections from the GT-1000 AIRD Output Select Library software.And with the ability to apply different AIRD Output Select settings to the main and sub outputs, you can optimize the sound for two destinations at once, such as a guitar amp input and a direct feed to a house PA.Many selections harness BOSS’s MDP tech, which intelligently adapts to your dynamics and playing register to achieve the perfect sound.Patch switching is ultra-fast thanks to the GT-1000’s speedy DSP, and delay carryover is also possible. There are two effects loops as well, allowing you to connect your favorite external effects and preamps.