Boss Dr Sample Sp 303 Manual

Boss Dr Sample Sp 303 Manual

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Boss Dr Sample Sp 303 ManualThe manual No part of this publication may be reproduced in any form Refer all servicing to your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page. Also use the knobs in the following situations. The SP-303’s internal Bank A or B is selected by pressing A or B. Press C or D to select Bank C or D on the memory card. If using some other make of connection cable, please note the following precautions. To hear sound, either connect an amplifier and speakers or use headphones. Refer to the following diagram and connect the SP-303 to the other equipment. fig.Q01 AC Adaptor. Let’s listen to these samples. What is a sample? A sample is a piece of sampled sound (a “waveform”) together with various settings that determine how it can be played during a performance, which has been assigned to a pad. Here’s how to try out these effects and hear what they can do.Such a sequential arrangement of performed samples is called a “pattern.” At the factory settings, a demo pattern is assigned to Pad 1 in Pattern Bank A. If you attempt to sample, delete, record patterns, or carry out other such operations while Protect is left on, “Prt” appears in the display, and no further operations are permitted. The pad will remain lit while the sample is playing. The pad most recently pressed to play a sample is called the “current pad.”. Thankfully, though, a simple procedure you can use when applying an effect to all of the pads has been provided. Adjusts the cutoff frequency. Cuts the high frequencies and adds distortion.Sets the tape speed. 3. CHORUS DEPTH (dPt) Adds spaciousness and depth to Sets the depth of the chorus. Adjusts the tone of the hissing noise. 16. RADIO TUNING TUNING (tun) Reproduces the sound being Adjusts the degree of noise that played on the radio. You can set the cycle to one measure, one-half measure, one-quarter measure, or one-eighth measure according to the CTRL 2 knob position.http://www.culturehousesun.org/photos/boss-bass800-manual.xml

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This is convenient when you wish to begin sampling from the introduction of a song. Making Samples with Effects Added (Resampling) With the SP-303, you can play back a sample that has effects added to it, and then sample that sound, which is then handled as a new sample. This process is called “resampling.”. The bank buttons and pads that are available for holding samples then blink. Note that sufficient memory is needed particularly on the memory card. Turning off the power at this point may result in corruption of data not only in the sample that was being deleted, but in other samples as well. Checking the Remaining Sampling Time To check the remaining available sampling time, do the. Please be aware of this fact beforehand.The pad will light, and the sample will sound. The pad will light, and the sample will sound.By deleting (Truncating) these portions, you can make more efficient use of memory. fig.r04-20 Beginning of sample unwanted Start point the portion which is played back Truncate fig.r04-21 1. If you want to halve the displayed value, turn the knob to the left; turn the knob to the right if you want to double the value. Pattern Banks A and B are the SP-303’s own internal banks, and Pattern Banks C and D are banks stored on memory cards. The tempo (BPM) of a pattern appears in the display. 8. While listening to the metronome, turn the CTRL 2 (BPM) knob to adjust the pattern's tempo.This operation is called Sample Load. When this operation is performed, the internal data of the SP-303 will be overwritten. Be sure to make a backup of important data before you do this. fig.r06-06 1. This operation is called Pattern Load. When this operation is performed, the internal data of the SP-303 will be overwritten. Be sure to make a backup of important data before you do this. fig.r06-08 1. If the MIDI keyboard’s Transmit channel cannot be set to 1, then you must change the SP-303’s Receive channel in order to match the MIDI keyboard’s channel.http://www.arkadaslik.com.tr/eskortarama.com/resimler/boss-bass-synthesizer-manual.xml In such instances, you can use the following procedure to turn off synchronization of the tempo. Using the SP-303 With a Rhythm Machine Synchronizing the Performance of the SP-303’s Patterns with a Rhythm Machine’s Tempo. Pad 1: Kick Pad 2: Snare Pad 3:. For example, here is how to have the SP-303 play instead of a MIDI sound module’s Part 1. Using the SP-303 With a Turntable Adding Effects to the Turntable Sound This describes the procedure for adding effects with the SP-303 to the sound from turntables, DJ mixers, and such devices. Connections fig.r08-09 Turntable 1. Connections fig.r08-10 Turntable 1. Set the DJ mixer’s Fader to the SP-303 position. If this does not resolve the problem, contact a nearby Roland service center or your dealer. Problems With the Sound. Problems With Memory Cards Data Cannot Be Saved Correctly to. Is the external MIDI device’s tempo set beyond the tempo range to which the SP-303 can be synchronized. Synchronization beyond this range cannot be assured. Initialize the internal memory (p. 68). Writing data to or reading data from the memory card failed. If you should require this publication (such as when you intend to carry out byte-level programming), please contact the nearest Roland Service Center or authorized Roland distributor. Mode 2: OMNI ON, MONO. For sampling and effects processing anytime, any place, the SP-303 can't be beat.Onboard sampling time expandable via optional SmartMedia cards. DJ-friendly operation via large, luminous sample pads and three knobs Realtime pattern sequencer with quantize function for easy song creation. Selectable Gate, Loop and Reverse triggering of samples. All trademarks are property of their respective owners.Up to eight mono samples may be triggered at once—even when sampling using the “Standard” 44.1kHz recording mode. Two additional modes are provided for additional sampling time or to create “Lo-fi” effects.http://www.drupalitalia.org/node/71635 New Pattern Sequencer An onboard pattern sequencer makes creating songs from loops and phrases easy. Just select the length (up to 99 measures) and play along to the internal metronome. A quantize function corrects your timing, making it possible to create drum patterns by sampling individual sounds to the pads. And unlike the limited memory of other phrase samplers, the SP-303’s sequencer can store up 7,500 notes. 26 Killer Effects Not just a sampler, but a full-blown effects processor, the SP-303 includes 26 professional effects like reverb, flanger, delay, and Voice Transformer—plus wicked distortion, filter, Slicer, Isolator, Lo-Fi, and Vinyl Simulator algorithms for twisting your sound to the extreme. Best of all, these effects can be applied to multiple samples simultaneously or live input signals. Resampling and More Once you’ve found the perfect effect, you can resample the sound to a new pad. This makes it possible to get even more out of the EF-303’s effects section. And adjusting effect parameters such as filter cutoff, delay time or modulation depth, for example, is as simple as twisting a knob.Note to Mac Users: You will need the UPD SMF Update Application if you do not have access to a sequencer program. Note to PC users: You will need the PC SMF Update Application if you do not have access to a sequencer program. The manual should be saved and kept on hand as a convenient reference. No part of this publication may be reproduced in any form without the written permission of BOSS CORPORATION. The manual should be saved and kept on hand as a convenient reference. No part of this publication may be reproduced in any form without the written permission of BOSS CORPORATION. Next Page 2: USING THE UNIT SAFELY USING THE UNIT SAFELYPage 4 Contents. USING THE UNIT SAFELY. 2 Chapter 3. Sampling.27Page 5 Contents. Chapter 5. Chapter 7. Using the SP-303. Recording Sample Performances With Other MIDI Devices.53Page 6: Main Features Main Features.http://artisanatlucratif.com/images/boss-dr-rhythm-dr-770-manual-espa-ol.pdf High-Capacity Memory Cards (SmartMedia) Resampling? No ProblemPage 7: Panel Descriptions Panel DescriptionsThis switches the SP-303. Page 9 Panel DescriptionsPage 10: IMPORTANT NOTES IMPORTANT NOTESPage 11: QUICK START QUICK START. Making Connections. The SP-303 does not contain an amp or speaker. Page 12 QUICK START. Turning On the Power Turning Off the Power. Once the connections have been completed (p. 11), turn. Page 13 QUICK STARTTry Playing a Pattern 2. Press pad 1.Page 16 QUICK START. Sampling Your Own Sounds 1. Refer to p. 11 for instructions on connecting CD andPage 18: Chapter 1. Playing Samples Chapter 1. Playing SamplesPage 19 Chapter 1. Playing Samples. Having a Sample Continue to Play Playing Sounds Input From ExternalEven When. Page 20 Chapter 1. Playing Samples. Adjusting the Volume of the. External Input Sounds. If excessive input volume levels causes the. Page 21: Chapter 2. Using the Effects Chapter 2. Using the Effects. The SP-303 features twenty-six internal effects, so you canTurning Effects On and Off Rapidly Applying Effects to MultipleWhen. Page 23 Chapter 2. Using the Effects. Applying Effects to All. Samples Simultaneously. If you want an effect to be applied. Page 24 Chapter 2. Using the Effects. Effects List. Effects That Can Be Selected Directly With the Effects ButtonsGives the sound a. Page 27 Chapter 2. Using the EffectsYou can set the. Page 28: Chapter 3. Sampling Chapter 3. SamplingPage 29 Chapter 3. Sampling. In this case,. Page 30 Chapter 3. SamplingPage 31 Chapter 3. Sampling. Page 32 Chapter 3. SamplingPage 33 Chapter 3. SamplingPage 34 Chapter 3. SamplingDeleting All Samples Together Changing the Assignment of. You can delete all samples from the SP-303’s. Page 36 Chapter 3. SamplingPage 37: Chapter 4. Changing the Sampling Settings Chapter 4. Changing the Sampling SettingsSetting the Sample Volume Preventing Unneeded. With the SP-303, you can set the. Page 40 Chapter 4. Changing the Sampling SettingsPage 42 Chapter 4.unipell.com.br/wp-content/plugins/formcraft/file-upload/server/content/files/16272a8b6b81f4---breville-ikon-blender-manual.pdf Changing the Sampling Settings. Page 43 Chapter 4. Changing the Sampling SettingsBy recording the processes of playing samples as patterns,Page 46 Chapter 5. Recording Sample Performances (Pattern Sequencer). Erasing the Data for Mistakes in The dots blink in the display. Page 48 Chapter 5. Recording Sample Performances (Pattern Sequencer). Deleting All Patterns Together Changing the Assignment of. You can delete all. Page 49: Chapter 6. Using Memory Cards Chapter 6. Using Memory Cards. You can use commercially available SmartMedia cards asPage 50 Chapter 6. Using Memory Cards. Initializing Memory Cards Saving Samples to MemoryBefore the SP-303. Page 51 Chapter 6. Using Memory CardsPage 54: Chapter 7. Using the SP-303 With Other MIDI Devices Chapter 7. Using the SP-303 With Other MIDI DevicesPage 55 Chapter 7. Using the SP-303 With Other MIDI DevicesPage 58 Chapter 7. Using the SP-303 With Other MIDI Devices. Page 59 Chapter 7. Using the SP-303 With Other MIDI DevicesPage 60: Chapter 8. Examples of Using the SP-303 Chapter 8. Examples of Using the SP-303. Using Pattern Sequencer to Create a Rhythm Pattern. Now let’s create a. Page 61 Chapter 8. Examples of Using the SP-303Page 62 Chapter 8. Examples of Using the SP-303. Using the SP-303 with MIDI Devices. When using a MIDI sound module. Page 63 Chapter 8. Examples of Using the SP-303. Page 64 Chapter 8. Examples of Using the SP-303. Playing a Sample Along With the Sound From a Turntable. Here is. Page 65: Appendices Appendices. Chart of Operations. Aim Operation. Page 66 Appendices. Page 67 Appendices. Troubleshooting. If the SP-303 does not function as you expect, please check the following points before assuming that a. Page 68 AppendicesMessage ListPage 71 AppendicesIn the process of making settings for. Page 72 Appendices. MIDI Implementation ChartSpecifications. SP-303: Dr. SampleA Lo-Fi Sampling. 27. AiF. 52, 70 LONG. 27. AIFF File. 52 Loop Playback. Page 75 Index. Stereo Sampling. 27Tempo. Page 76 For the U.BANGTUTRANG.COM/upload/files/canon-ds6041-manual-free.pdfK. I do a lot of sound designing so this has become one of the key tools in my setup, It's small,light weight and easy to use. The manual is very easy to read and understand so any can get this piece up and running in 20 maybe 30 minutes after reading the documentation. Sound editing is very easy to do on the unit, chopping however is another story it takes a bit a practice and requires you to use your ears but it's worth it. SOUNDS The affects on the unit are warm and not clean.This is the same little box Madlib and J Dilla used in their production it's like every producers dirty little secret next to their technique. OVERALL OPINION You can't find the Sp 303 new anymore you can only get it used and the prices range from 0-300 dollars.I like the two banks of onboard memory and the SmartMedia card input with two banks of memory. The memory cards are hard to come by, but can be easily purchase over the internet. Sixteen samples can be set to any memory card. Eight trigger buttons make for easy sample playback. Switching between onboard and memory card banks are easy with simple light up buttons. The SP-303 has over 30 effects to overlay on sample playback or while recording. Effects range from echoes, phaser, eq isolator, pitch shifter, and even vinyl simulator. There is also tempo and beat per minute editing. The SP-303 uses a blunky power adapter that can only be attached at the bottom of any surge protecter or electrical outlet. The SP-303 also offers an external source playback. Easy to use recording, playback, and editing makes this a perfect sampling machine for anyone who has not used any type of electronics before. One main volume control, and three effects controls make this a very easy to use sampling machine. The price is very good for this quality of a sampling machine. Other comparable sampling machines will have less onboard memory or not have as many effects. The SP-303 can make a variety of sounds, anything the programmer wishes to produce.https://miamivanservice.net/wp-content/plugins/formcraft/file-upload/server/content/files/16272a8c75337a---breville-ikon-espresso-manual.pdf They are very good to use in conjunction with each other and I plan on buying multiple of these machines.The sound quality is very good. Even low bass that is sampled shows very little dillusion. Great sound quality. The filters are good, some are really whack and pointless to use. The built in pattern sequencer is total garbage, in other words its pointless to use. The effects can be applied to any line in source even wothout recording so this box kinda doubles up as an effects processor, its fun to watch twisted anime movies with a strange echo effect provided from the 303. However, adjusting the BPM of a sample kills the quality big time. But adding effects to a sample with an altered BPM usually cancels out the decrease in sound quality. Very useful piece of gear and for the cheap price you cannot go wrong with this one. The manual is very understandable and explains every aspect of the unit. The pads are great, I can bang the hell out of them and not worry about shortening the lifespan. The knobs are solid and slide very easily. I dont love to sample so I dont love this unit.The fact that it is portable, it has a grip of effects, the lo fi, stereo mono option, and that it has a sampler,sequencer,and editing options that it makes it ideal for someone on a minimal budget. Price paid 255.00 Ah the sound quality is excellent.I havent really dropped it or anything.I think the number of features and the portablity is something that will make me never part with it.By using our services, you agree to our use of cookies. Find out more. The much sought after piece you've heard about. I am the original owner. Everything works and a great sampler. Many features. Comes with manual and 64 mg memory Card. Takes a 9v 100m power supply ( not included). Sorry to see this go. Just select the length (up to 99 measures) and play along to the internal metronome.http://www.deadclan.nl/wp-content/plugins/formcraft/file-upload/server/content/files/16272a8d4ea703---breville-ikon-hemisphere-blender-manual.pdf A quantize function corrects your timing, making it possible to create drum patterns by sampling individual sounds to the pads. And unlike the limited memory of other phrase samplers, the SP-303's sequencer can store up 7,500 notes.26 Killer EffectsNot just a sampler, but a full-blown effects processor, the SP-303 includes 26 professional effects like reverb, flanger, Best of all, these effects can be applied to multiple samples simultaneously or live input signals.Resampling and MoreOnce you've found the perfect effect, you can resample the sound to a new pad. This makes it possible to get even more out of the EF-303's effects section. So gone are the built-in microphone and battery power option of the original but say hello to vastly increased sampling capabilities (including resampling), a sequencer, more effects and real-time controls all of which are presented in a smaller, neater unit.The main difference with phrase samplers is in their method of playback, which usually consists of playing back a sampled loop or musical phrase at the speed and pitch it was sampled at. This limitation doesn’t apply to a fully featured sampler which can play back loops, phrases and samples of individual notes chromatically across a keyboard to emulate an instrument, which the Dr. Sample isn’t capable of. OPERATION Although this Dr. Sample has roughly the same footprint as the original it is less brick like with a noticeably slimmer profile. The busy control surface utilises Roland’s now familiar illuminated rubber multifunction buttons for sampling, editing, bank selection, sequencer functions and general house keeping duties. The lower section includes 8 large sample pads, which also double as sequencer Pattern selectors. A couple of useful features are a lockable cover for the SmartMedia card and a slot on the rear for attaching a Kensington security cable.BANGTAIPVC.COM/upload/files/canon-ds6041-camera-manual.pdf MEMORY The sample and sequence memory is divided across 8 pads using two internal banks and two card banks for a total of 32 samples when a card is in the slot (see Specification chart elsewhere). This is an astounding amount of memory for such a small and relatively basic sampler and would allow you banks full of high quality loops or equally to have complete stereo mixes ready to play at your fingertips. Even my trusty industry standard Akai S3000XL maxes out at 32 Mb of RAM, admittedly it can do a lot more than the SP303 but 64 Mb is 64 Mb and is a lot of memory to play with. IMPORT A useful memory related feature is the SP303’s ability to import AIFF and WAV audio files. To achieve this you’ll need a SmartMedia card reader for your PC or Mac. These are available in various forms, the most popular being USB readers for desktop computers and PCMCIA types for laptops. This would also allow you to keep sample back-ups on your computer. However, there are a couple of limitations to the sample import feature. Samples can’t be shorter than 100 ms or longer than 30 seconds and the import process works by copying standard AIFF or WAV files into the SP303 internal memory (hence the 30 second limit) while simultaneously converting them to Roland’s proprietary compressed sample format. This process is slow, up to 10 minutes for a full length sample but once converted the sample can reside in the Dr. Sample or saved back onto a SmartMedia card as native SP303 sample for instant playback and manipulation. SAMPLING Sampling is straightforward and relatively logical. Connect an audio source (CD, mixer, etc.) to the rear phonos or a microphone to the front socket Press the REC button, choose a bank and a sample pad, press REC a second time and you are sampling. There is also an Auto setting that only commences sampling when the input detects an audio signal. Sample playback and editing options have improved since the SP202. Apart from the usual sample Reverse, One shot or Gate, Looping and non-looping modes the SP303 also offers adjustable sample Time, BPM, Level and Start and End trim options. Sample editing is carried out by ear using Controller 1 for Start and Controller 2 for End adjustments. Although this can be a bit of a hit and miss affair. Each sample has its BPM displayed when triggered and is calculated from the sample length. Unfortunately as a loop is topped and tailed you can’t see it’s new BPM, until you exit edit mode. Unusually for a budget sampler the SP303’s times stretching option is independently adjustable (50-130) for each sample. The time stretched BPM is displayed in real-time too. The effect can get lumpy and flangy at extreme settings (possibly not a bad thing in certain circumstances) but used with the right material and in moderation it can sound quite passable. RESAMPLING A new Dr. Sample feature making a welcome appearance is resampling, an underrated sampling option in my opinion. Resampling allows you to rerecord existing samples to a new pad but with added effects or at a lower sampling quality to save memory, or after you have applied sample editing options such as Time and BPM. This is also a useful way of applying different effects to different pads, something the SP303 isn’t normally capable of. And because you can resample multiple pads at once it’s possible (with a SmartMedia card) to use this function as a basic form of portastudio, mixing down your pad playing onto an empty pad, in a similar way to track bouncing. Also, because resampling is carried out in the digital domain loss of quality is kept to a minimum. Resampling on the SP303 is almost as easy as regular sampling. Prepare and edit your samples and add any effects, select an empty pad to resample onto and after hitting the Resample and Rec buttons play away to you hearts content. The only noticeable resampling limitations are that you can’t resample across banks (as you can on the SP808) and unfortunately it’s not possible to play the sequencer and resample at the same time. Now that would be fun. EFFECTS The effects bank is a major improvement on the SP202 and now includes 26 effects rather than a measly five previously (see Effects chart elsewhere on this page). The effects can be applied to individual samples, or globally, or to the input signal, in which case you could use the Dr. Sample just as an effects unit. Five effects have dedicated buttons (Filter, Pitch, Delay, Vinyl, Isolator) and an MFX button allows you access the remaining 21, with a numbered list printed below it. As I mentioned above each effect has three adjustable parameters using the CTRL 1-3 knobs. The effects cover fairly standard but useable budget types plus a few specialist effects like Voice Transformer, Slicer and Center Canceller. The Voice Transformer effect is a (very) slimmed down version of the Roland VP9000 much over used keyboard effect. This version has a distinctly lumpen quality, it tries hard and does the job, but only just. Other effects options are an Effect Grab feature for momentarily switching effects in and out of a mix and a Tap Tempo button for syncing effects to the BPM in real-time. SEQUENCER The 7,500-note Pattern Sequencer is relatively basic and functional but a useful addition nevertheless. Up to 32 patterns (between 1 and 99 bars long) can be recorded and saved across the four banks. It can be started, stopped and synced to an external MIDI sequencer, although step time recording isn’t an option. Pattern recording is carried out in loop mode (the number of bars per loop is programmable) and achieved by playing the sample pads in time to a metronome click and using one of 4 quantise values. Pressing the Pattern Record button activates the metronome and a 4-beat countdown in the display which then shows a continual count of the current position in the bar loop. Editing finished Patterns as with sample editing is a bit of a hit and miss affair and has to be done in real-time and it can be all too easy to loose track of where you are when editing long loop as the display isn’t detailed enough to indicate exactly where you. Thankfully pattern playback is straight forward, using the Pattern Select button, and changing from one to another is literally just a matter of selecting the relevant pad. A nice touch is that if a pad is flashing then it contains a sequencer pattern. It is also possible to play samples manually (via pads or MIDI) while a pattern is playing, including samples from a another bank. GET SMART I’m not as blown away by this Dr. Sample as I was by the first, but that’s really only because there wasn’t anything else quite like the SP202 around three years ago. I can think of at least half a dozen people I personally recommended the SP202 to and most of them went and bought one and were happy with it. However, the new SP303 is now also competing with the Korg Electribe-S and the Yamaha SU200, both fine budget samplers with lots of features. The SP303’s lacking 3-digit display is going to be one of the first hurdles users will come across when using it, and it’s limitations are particularly apparent now that the Dr. Sample has been given so many new sampling, sequencer and editing features. I would like to have seen velocity sensitive pads (although it does respond over MIDI) and the ability to play samples chromatically across a MIDI keyboard, then again even its big daddy the SP808 doesn’t have these features. But having said all the above I do like the new Dr. Sample. Using SmartMedia for expandable sample and pattern memory storage is a brilliant idea, as is the option of AIFF and WAV sample import. Which although admittedly is a bit slow is nevertheless a fairly unique feature on a sampler in this price range. Sampling quality at the highest 44.1kHz, stereo setting while not quite CD standard comes very close. In fact there is definitely something about Roland’s data compression technique that seems to give some sounds a certain punchiness that I quite like. The 26 effects are fine and varied, if occasionally a little gimmicky and budget sounding. A bonus of the busy and highly illuminated front panel is that pretty much every function is never more than just a few button pushes away. And apart from when using the display for editing it is relatively easy to figure out where you are and what’s going on, even in the dark I might add. VAT PROS Expandable memory. Excellent sound quality. Improved effects. Useful resampling feature. AIFF and WAV compatibility. CONS Only one effect at a time. Limited 3-digit display. Basic sample and pattern editing options. Effects settings aren’t saved unless you resample them. No longer includes built-in mic, battery option or sample CD. SUMMARY The SP303 has greatly improved memory options, effects and sample editing since the original Dr. Sample. Additional features such as a Pattern sequencer, more real-time control knobs and a neater size make this a cost effective and attractive desktop phrase sampler. Just don’t expect too much from the limited LED display. The built-in sounds were a development on the sounds of the earlier Roland TR machines. This allowed for the introduction of a Programmer section, which provided 4 programmable memory locations for pattern storage. Now users could program and store their own drum patterns, as well as adjust tempo, accents, and fade ins and outs. Individual mute controls for each of the four voices were featured on the front panel, allowing the user to create breakdowns.It was one of the first programmable drum machines that was affordable to home musicians and had a significant impact on the musical landscape of the time. As time passed, its affordable cost and unique analog sound made it popular in hip-hop and dance music styles. Its impact on the sound and development of these genres is undeniable. With its characteristic bass drum, which was able to produce very low frequencies, and its distinctive cowbells, the sound of the TR-808 was unmistakable. Used on more hit records than any other drum machine in history, it has come to be one of the most recognizable and celebrated drum machines ever. It hosted a range of preset patterns in a variety of different styles, as well as programmable patterns with 8 patches of storage memory. None of the sounds were editable and there was only one mono audio output.With 9 sounds and 24 presets, it offered a Shuffle mode to randomize patterns, as well as an Accent knob for volume variation within the patterns. The Register button switched between Arranger and Preset settings, while the Crash button enabled the end of bar Crash cymbal sound. This made it useful for both studio work and live performance. Portable and affordable, it was originally intended to be used alongside the TB-303, synchronized via DIN-sync. It proved to be capable in its own right, and was used on tracks by artists including Aphex Twin, Big Black, Nine Inch Nails, and Autechre.